CAS Quarterly

Spring 2017

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C A S   Q U A R T E R L Y     S P R I N G 2 0 1 7   57 op Matt Derber and sound utility Nik Waddell until late July. Additionally, the feature biopic of Tupac Shakur, All Eyez on Me, directed by Benny Boom, is slated to open June 16, mixed by Aron Siegel CAS, with boom op Kurt Peterson, sound utilities Matt Derber, and Chris Mills. Playback was John Maskew, and it was post-produced by Craig Mann. Brendan Beebe CAS, Dennis Fuller, and Rebecca Chan are knee-deep in Sharp Objects, with Season 7 of American Horror Story around the corner. Thank you to a hard-working crew always getting in those quick fixes! At NBC Universal: For feature mixers Jon Taylor CAS and Frankie Montaño, it's almost a wrap on Hitchcock as the team completes the extend- ed cut on The Fate of the Furious for director F. Gary Gray and Universal. Up next for the boys is The Solutrean for director Albert Hughes and Studio 8, with sound supervi- sor Kelly Oxford. Mix 6 will go dark for the month of May while we prep the stage for Dolby Atmos, Imax, and Auro installation. Mixers Mark Fleming CAS and Robert Carr CAS are mixing Season 1 of 24: Legacy for Fox, Agents of S.H.I.E.L.D. for Marvel and ABC, and rounding out the week, 12 Monkeys for the Syfy channel. Mix team Rusty Smith and Bob Edmondson are shacking up on Mix 2 to mix Season 1 of Midnight, Texas for NBC. Over on Mix Stage 5, mixers Pete Nusbaum CAS and Whitney Purple are mixing Just Add Magic, Blackish, Marlon, and a few episodes of SVU for NBC. Nello Torri CAS and Alan Decker CAS are mixing Season 6 of Homeland, Outlander, Bates Motel, and Grimm. Pete Reale and Todd Morrissey are still in Chi town mixing Chicago P.D. and Chicago Fire. Got Broken Equipment? Send It Our Way! Lectrosonics - Zaxcom - Sound Designs Sennheiser - Shure - Cooper Mixers Contact Us At: 1.888.259.4684 or Visit our website at: dwsoundservice.com If your equipment is not listed here Experts in the Repair of Production Sound Systems

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