Issue link: http://digital.copcomm.com/i/820551
P E R S P E C T I V E | M AY / J U N E 2 0 1 7 29 BETTER CALL SAUL TONY FANNING, Production Designer PAULA DAL SANTO, Art Director GREGORY G. SANDOVAL, Assistant Art Director ALAN CHAO, Graphic Designer TAURA C.C. RIVERA, Set Designer ELAINE O'DONNELL, SDSA, Set Decorator BLOODLINE TIM GALVIN, Production Designer SCOTT G. ANDERSON, Art Director CALEB B. MIKLER, Assistant Art Director WILLIAM A. CIMINO, Set Decorator PREACHER DAVE BLASS, Production Designer MARK ZUELZKE, KIRSTEN OGLESBY, Art Directors DEREK JENSEN, GREGORY G. SANDOVAL, Assistant Art Directors TYLER STANDEN, BRANDON ARRINGTON, Graphic Designers TAURA C.C. RIVERA, Set Designer AMY LYNN UMEZU, Storyboard Artist EDWARD McLOUGHLIN, SDSA, Set Decorator Top, right: Trying to devise a way to get fired, Jimmy McGill sits in his office, a stage set built at Albuquerque Studios in New Mexico for BETTER CALL SAUL. Inset: A SketchUp model was used to visualize a Mexico/USA border crossing for the series. Above: BLOODLINE is set and filmed in Islamorada in the Florida Keys. Left: Based on the comic book series by Garth Ennis and Steve Dillon, PREACHER incorporates outlandish violence, cartoon imagery and a cosmic showdown between heaven and hell. In this scene, God himself has come to Annville to tell the congregation that everybody in town is officially saved, the pious and the sinners alike. © Netflix © AMC © AMC