Issue link: http://digital.copcomm.com/i/790371
6 CINEMONTAGE / Q1 2017 CONTRIBUTORS Wm. Stetz ("In Search of the Perfect Take" photography) is an award-winning director, photographer and designer. His photography recently won an American Aperture Award. He can be reached at bill@wmstetz.com. Martin Cohen's (cover photog- raphy) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Debra Kaufman ("Julia Wong Gets The Last Word") has been writing about film/TV technol- ogy and business for 25 years, for publications including The Holly- wood Reporter, Variety and Wired. She also authors the MobilizedTV. com blog. Reach her at dkla99@ verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.burman@ nbcuni.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Mel Lambert ("In Search of the Perfect Take") is intimately in- volved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@ content-creators.com. Christopher Fragapane ("Julia Wong Gets The Last Word" photography) lives in Venice, Cali- fornia with his wife and daughter. He has worked as a photographer for nearly two decades in the en- tertainment and advertising fields for national and international clients, and can be contacted at christopherfrag- apane@gmail.com. Michael Goldman ("You Want It Darker"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a con- tributor to American Cinematogra- pher and many other publications. Contact him at michael.goldman@me.com. Nik O'Dell ("Op/Edit") is an offline editor of 16 years, originally from London. He has worked on Top Gear (UK), America's Got Talent, Lip Sync Battle and is currently working on The Bachelor in Los Angeles, where he lives with his wife and son. Contact him at nikodell@gmail.com. Paul Sadowski ("Tail Pop") is an editor, producer, director, animal lover and a member of the Televi- sion Academy. He can be reached at paul@fullrangefilms.com. R.J. Kizer ("Automatic for the People") is a Los Angeles-based ADR editor. His credits include Interstellar, Inception, Master & Commander: The Far Side of the World and Catch Me if You Can. He can be reached at rjkizer@aol.com. Ric Schnupp ("Sound Mission to Cuba" photography) is a sound supervisor and re-recording mixer working out of Soundtrack New York. He can be reached at richard.schnupp@gmail.com. Re-recording mixer and Board member Tom Fleischman, CAS ("Sound Mission to Cuba"), has mixed nearly 200 features, documentaries, commercials and television projects. He won an Academy Award for mixing Hugo (2011) and has earned five additional Oscar nominations, in addition to five Emmy Awards, five CAS Awards and a BAFTA Award for sound mixing. bodhi188@mac.com.