CineMontage

BEST FILM EDITING Tom Cross, ACE BEST SOUND EDITING SOUND DESIGNER/ SUPERVISING SOUND EDITOR Ai-Ling Lee SUPERVISING SOUND EDITOR Mildred Iatrou Morgan C O N S I D E R T H I S LionsgateAwards.com ACADEMY AWARD ® NOMINATIONS INCLUDING 14 BEST FILM EDITING BEST SOUND EDITING W I N N E R AC E E D D I E AWA R D BEST EDITED FEATURE FILM COMEDY

• Cover
• Post Script – Tomm Carroll
• President's Message – Alan Heim, ACE
• Op/Edit US & UK: Shared Language, Differing Realities by Nik O'Dell
• Membership Outreach Committee
• This Quarter in Film History Monsieur Verdoux (1947) by Edward Landler
• My Most Memorable Film Wendy Greene Bricmont on Annie Hall (1977) by Peter Tonguette
• Sound Mission to Cuba:A Pair of Mixers Lecture inthe Island Nation by Tom Fleischman, CAS
• Editor Julia Wong Gets The Last Word by Debra Kaufman
• In Search of the Perfect Take:ADR/Foley Mixer Jesse Dodd'sWorkday Involves a Bit of Everything by Mel Lambert
• You Want It Darker:Music Editors Angie Rubin and Bill Abbott Craft the Soundtrack forFifty Shades Darker by Michael Goldman
• Automatic for the People:The Origins of ADR by R.J. Kizer
• Syncin' in the Rain:Looping Goes to the Movies by R.J. Kizer
• Dub Versions by R.J. Kizer
• Smith Micro's Got Its Moho Workin':Game-Changing 2D Animation Software by Joseph Herman
• Cut/Print Jump Cut:How to Jump Start Your Career as a Film Editor review by Betsy A. McLane
• Labor Matters Hollywood Loses Its Tax Breaks compiled by Jeff Burman
• In Memoriam
• Tail Pop Indiana Jones and the Last Crusade (1989) by Paul Sadowski