Issue link: http://digital.copcomm.com/i/711111
4 CINEMONTAGE / Q3 2016 CONTRIBUTORS Wm. Stetz (art director) is an award-winning director, photographer and designer. His photography recently won an American Aperture Award. He can be reached at bill@wmstetz.com. Martin Cohen's (cover photog- raphy) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Debra Kaufman ("Technical Challenges") has been writing about film/TV technology and business for 25 years, for publica- tions including The Hollywood Reporter, Variety and Wired. She also authors the MobilizedTV. com blog. Reach her at dkla99@ verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.burman@ nbcuni.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz ("The Indie Outsider" photography) is a New York-based photographer and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www.sarah- shatz.com. Rob Feld ("The Indie Outsider") is a regular contributor to DGA Quarterly and Written By, and contributing editor of Newmarket Press' Shooting Script book series. He teaches screenwriting and directing at the School of Visual Arts in New York. Contact him at rob@gothamarts.com. Gregory Schwartz ("Technical Challenges" photography) is a freelance photographer who has worked on entertainment produc- tions for the past 20 years. His photographs have been featured in numerous books and magazines. He can be contacted at GSa35mm- Man@aol.com. Mel Lambert ("El Sonido de Narcos") is intimately involved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@ content-creators.com. Brooklyn native John Clifford (East Coast Retirees Luncheon photography) is a New York-based photographer who has worked on over 60 feature films and TV shows as a member of Local 600, the International Cinematographers Guild. He can be contacted at johnclifford1@me.com. For years as a still photographer, Deverill Weekes (West Coast Retirees Luncheon photography) has shot news, fashion and celebrity profiles. His photos have graced the covers and inside pages of inter- national and national magazines. He can be contacted at deverill@ earthlink.net. Halima K. Gilliam ("Diversity as a Workplace Issue") is a first as- sistant editor on award-winning features and television shows, including End of Watch. She has an MFA in Film Editing from the American Film Institute and cur- rently serves on the Editors Guild Diversity Committee. She can be reached at hkg@afialumni.com. Clarion and two-time Emmy Award-winning news editor Bruce Karder ("Union Made") edited breaking news and spe- cials in Chicago for 38 years. He retired in 2001 and is now hap- pily living in Des Plaines, Illinois, enjoying his time traveling and with family. He can be reached at BLM1864@aol.com. Originally from Rio Piedras, Puerto Rico, Agustín Rexach Martín ("Tail Pop") is thrilled to be an assistant editor in scripted television. He is currently assist- ing editor James D. Wilcox on Hand of God for Amazon Studios. He lives in Burbank with his wife Gretchen and son Jack. He can be contacted at spliceeditsla@gmail.com.