ADG Perspective

January-February 2016

Issue link:

Contents of this Issue


Page 4 of 115

P E R S P E C T I V E | J A N UA RY / F E B R UA RY 2 0 1 6 3 Firelight and candles for The Revenant by Jack Fisk, Production Designer Designing Carol by Judy Becker, Production Designer Terry Gilliam's classic rebooted by John Mott, Production Designer Boston and Black Mass by Stefania Cella, Production Designer Returning to Rocky's Philadelphia on Creed by Hannah Beachler, Production Designer Re-creating the legend of James Dean by Anastasia Masaro, Production Designer Victorian London dripping with madness by Jonathan McKinstry, Production Designer Dining out with Madoff by Carlos Menendez, Production Designer Designing for Natural Light Visualizing Emotions 12 Monkeys Is It Factual or Is It True? Shadow Boxing Art Imitating Life Penny Dreadful Delicious Ingredients 3 6 4 8 5 8 6 4 7 2 7 8 8 6 9 4 ® contents 9 E D I TO R I A L 1 0 C O N T R I B U TO R S 1 6 N E W S 1 0 4 P R O D U C T I O N D E S I G N 1 0 6 M E M B E R S H I P 1 0 8 C A L E N DA R 1 1 0 M I L E S TO N E S 1 1 2 R E S H O OT S ON THE COVER: A derelict church assembled on location for The Revenant (Jack Fisk, Production Designer). The sculpted foam wall sections, with frescoes printed in-house, were built in a small space under the film's production offices and could not be completely assembled until they were placed on location amid a grove of trees, giving the illusion the trees had grown up through the ruins.

Articles in this issue

view archives of ADG Perspective - January-February 2016