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4 CINEMONTAGE / SUMMER 2015 CONTRIBUTORS VOL 4 NO 3 / SUMMER 2015 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS Getting Organized – Rob Callahan Post Script – Tomm Carroll Membership Outreach – Stephanie Brown & John Vitale Labor Matters – Jeff Burman CONTRIBUTING WRITERS Aaron I. Butler Rob Feld Michael Goldman Patrick Gregston Karen Kalish Debra Kaufman Joseph Herman Mel Lambert Edward Landler Betsy A. McLane Susan K. Merzbach Peter Tonguette Tom White CONTRIBUTING PHOTOGRAPHERS John Clifford Martin Cohen Damon Loble Sarah Shatz Wm. Stetz Deverill Weekes ADVERTISING SALES IngleDodd Media Dan Dodd 310-207-4410, ext. 236 dan@ingledodd.com EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE A.J. Catoline (co-chair) Michael Tronick (co-chair) John Axelrad, ACE Jeff Burman Glenn Morgan, MPSE Frank Morrone, CAS, MPSE Richard Sanchez CINEMONTAGE (ISSN 2165-3526) is published quarterly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2015 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Martin Cohen's (cover photo) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohen- photography@gmail.com. Debra Kaufman ("Mo Henry: The Last of the Negative Cutters?") has been writing about film/TV technology and business for 25 years, for publications including The Hollywood Reporter, Variety and Wired. She also authors the MobilizedTV.com blog. Reach her at dkla99@verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.burman@ nbcuni.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Stephanie Brown ("Membership Outreach") is a sound editor who is co-chair (with John Vitale) of the Guild's Membership Outreach Committee. She can be contacted at outreach@editorsguild.com. Mel Lambert ("Monk Comes to Hollywood for Its Soundtrack") is intimately involved with produc- tion industries on both sides of the Atlantic. He is a 30-year mem- ber of the UK's National Union of Journalists. He can be reached at mel.lambert@content-creators.com. For years as a still photographer, Deverill Weekes ("LA Retirees Luncheon" photography) has shot news, fashion and celebrity profiles. His photos have graced the covers and inside pages of international and national magazines. He can be contacted at deverill@earthlink.net. Rob Feld ("Brilliant Mistakes") is a regular contributor to DGA Quar- terly and Written By, and contribut- ing editor of Newmarket Press' Shooting Script book series. Contact him at rob@gothamarts.com. Michael Goldman ("Everything's Coming Up ACES"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a contributor to American Cinematographer and many other publications. Contact him at michael.goldman@me.com. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Brooklyn native John Clifford ("Brilliant Mistakes" photogra- phy) is a New York-based photog- rapher who has worked on over 60 feature films and TV shows as a member of Local 600, the Interna- tional Cinematographers Guild. He can be contacted at johnclifford1@ me.com. Sarah Shatz ("The Doc Workers of New York" photography) is a New York-based photographer and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www.sarah- shatz.com. John Vitale ("Membership Outreach") is a picture editor who represents that classification on the Guild's Board of Directors. Reach him at outreach@ editorsguild.com. Aaron I. Butler ("Tail Pop") is an Emmy- and ACE Eddie-nominat- ed picture editor living in Los Angeles. He is currently editing the feature film In Dubious Battle and can be reached at aaronibut- ler@mac.com. Susan K. Merzbach ("Union Made") has happily retired and moved home to New England af- ter a career as a story analyst, sto- ry editor, executive story editor, vice president of creative affairs and assorted vice presidencies at small production companies. She can be reached at smerzbach@icloud.com. Tom White ("The Doc Workers of New York") is a Los Angeles- based freelance writer and the longtime editor of Documentary, the quarterly publication of the International Documentary As- sociation. He can be reached at tomwhiteeditor@gmail.com.