CineMontage

JOURNAL OF THE MOTION PICTURE EDITORS GUILD VOL 4 NO 3 / SUMMER 2015 Crafting a Native Atmos Soundtrack LON BENDER & DOUG HEMPHILL JOURNAL OF THE MOTION PICTURE EDITORS GUILD VOL 4 NO 3 / SUMMER 2015 CINEMONTA GE ACADEMY DEALS COLORISTS A HAND OF ACES ALEX HALL'S BOLD EDITORIAL CHOICES DOC WORKERS OF NEW YORK THE LAST NEGATIVE CUTTER? WHAT EVER HAPPENED TO MENTORSHIP?

• Cover
• Post Script
• Getting Organized
• Union Made
• Membership Outreach
• Letters to the Editor
• East Coast RetireesLuncheon
• West Coast RetireeLuncheon
• This Quarter in Film HistoryThe Great McGinty (1940)
• My Most Memorable Film:Larry Blake on Traffic
• Brilliant MistakesEditor Alex Hall andDirector Oren Moverman onTime Out of Mind
• Mo Henry:
• The Doc Workers of New YorkPushing for Union JobsEditing Non-Fiction
• Monk Comes to Hollywood forIts Atmos SoundtrackLon Bender and Doug Hemphill
• Everything's Coming Up ACESNew Color Management StandardImpacts Editors and Colorists
• Reviews of Frankie and axl Cam
• Cut/PrintAdaptations in the Sound Era:1927-37
• Labor MattersThe Supremes:Stop! In the Name of Love
• Passages
• In Memoriam
• Tail Pop8½ (1963)