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4 CINEMONTAGE / SPRING 2015 CONTRIBUTORS VOL 4 NO 2 / SPRING 2015 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS Contractual Obligations – Cathy Repola Getting Organized – Rob Callahan Post Script – Tomm Carroll Membership Outreach – A.J. Catoline Labor Matters – Jeff Burman CONTRIBUTING WRITERS Laura Almo Jeff Cenkner Bill Desowitz Michael Goldman Patrick Gregston Karen Kalish Debra Kaufman Joseph Herman Mel Lambert Edward Landler Betsy A. McLane Peter Tonguette CONTRIBUTING PHOTOGRAPHERS Martin Cohen Clay Enos Rico Mandel Wm. Stetz ADVERTISING SALES IngleDodd Media Dan Dodd 310-207-4410, ext. 236 dan@ingledodd.com EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE A.J. Catoline (co-chair) Michael Tronick (co-chair) John Axelrad, ACE Jeff Burman Glenn Morgan, MPSE Frank Morrone, CAS, MPSE Richard Sanchez CINEMONTAGE (ISSN 2165-3526) is published quarterly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2015 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Wm. Stetz ("The Honorable Arbi- ter" photography) is an award- winning director, photographer and designer. His photography re- cently won an American Aperture Award. He can be reached at bill@ wmstetz.com. Martin Cohen's (cover photo) photographs have been published internationally and exhibited in major cities around the world. Originally from the Netherlands, he attended the Dutch Film Academy in Amsterdam. He can be contacted at martincohenpho- tography@gmail.com. Debra Kaufman ("Mistaken for Lost and Gone...") has been writ- ing about film/TV technology and business for 25 years, for publica- tions including The Hollywood Reporter, Variety and Wired. She covers content in a digital age in her MobilizedTV.com blog. Reach her at dkla99@verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.bur- man@nbcuni.com. Mel Lambert ("Unsung Heroes of Sound") is intimately involved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@ content-creators.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Bill Desowitz ("Game of Drones") writes about film for his Immersed in Movies blog (www.billdesowitz. com) and is a regular contribu- tor to Thompson on Hollywood at Indiewire and Animation World Network. He can be contacted at bill.desowitz@yahoo.com. Michael Goldman ("Editors of S.H.I.E.L.D."), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a con- tributor to American Cinematogra- pher and many other publications. Contact him at michael.goldman@me.com. Karen Kalish ("Golden Nuggets") is a freelance writer who has writ- ten for DGA Magazine, Producers Guild Magazine and American Cinematographer, and has a background in picture and sound editing, as well as post-production facility sales and marketing. Con- tact her at kalishk@earthlink.net. A.J. Catoline ("Membership Outreach") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail.com Laura Almo ("Friends of Joe") is a writer and documentary film- maker. She teaches video editing at El Camino College in Torrance, California, and is a contributing editor at Documentary magazine. Contact her at lauraalmo@mac. com. Cathy Repola ("Contractual Obligations") is the Guild's Western Executive Director. She can be reached at crepola@editorsguild.com. Rico Mandel ("Game of Drones" photography), a native of Los An- geles, has worked with corporate clients such as Hilton and Toyota for over 30 years. He's had numer- ous exhibitions including PhotoLA and Paris Foto Fever. He can be contacted at rico@ricomandel.com. Patrick Gregston ("The Honor- able Arbiter") was born to a journalist who advised him not to write, "because people don't read," so he went to film school. He has worked as a film editor, producer, director, consultant and vendor. Three times elected to the Guild's Board of Directors, he continues to share the story of organized labor's contribu- tions in every medium possible. Contact him at pgregston@cox.net. Jeff Cenkner ("Tail Pop") is a Los Angeles-based assistant editor who admits to battling a daily ad- diction with film. There appears to be no cure. He can be reached at jeff.cenkner@gmail.com.