Issue link: http://digital.copcomm.com/i/407863
6 CINEMONTAGE / NOV-DEC 14 CONTRIBUTORS VOL 3 NO 6 / NOV-DEC 14 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS Getting Organized – Rob Callahan Post Script – Tomm Carroll Membership Outreach – Stephanie Brown & John Vitale Labor Matters – Jeff Burman CONTRIBUTING WRITERS Bill Desowitz Walter Hess Debra Kaufman Joseph Herman Mel Lambert Edward Landler David Maguire Betsy A. McLane Chuck Montgomery, ACE Martin Scorsese Peter Tonguette CONTRIBUTING PHOTOGRAPHERS Martin Cohen Preston Johnson Paul Moore Wm. Stetz Sara Terry Deverill Weekes ADVERTISING SALES IngleDodd Media Dan Dodd 310-207-4410, ext. 236 dan@ingledodd.com EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE Jeff Burman (co-chair) John Lafferty, ACE (co-chair) AJ Catoline Mark Goldblatt, ACE Glenn Morgan, MPSE CINEMONTAGE (ISSN 2165-3526) is published bimonthly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2014 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Wm. Stetz ("Pulling Emo- tional Triggers" photography) is an award-winning director, photographer and designer. His photography recently won an American Aperture Award. He can be reached at design@clik.net. Martin Cohen's (cover photo) photographs have been published internationally and exhibited in major cities around the world. Originally from the Netherlands, he attended the Dutch Film Academy in Amsterdam. He can be contacted at martincohenpho- tography@gmail.com. Peter Tonguette ("Interstellar Exploration") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@ aol.com. Debra Kaufman ("My Most Memorable Film") has been writ- ing about film/TV technology and business for 25 years, for publica- tions including The Hollywood Reporter, Variety and Wired. She covers content in a digital age in her MobilizedTV.com blog. Reach her at dkla99@verizon.net. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.bur- man@nbcuni.com. Edward Landler ("Pulling Emo- tional Triggers") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Mel Lambert ("Mixes Well with Others") is a seasoned journalist and technical writer with close to 40 years of hands-on experience within a wide range of professional and consumer electronic technolo- gies. Contact him at mel.lambert@ mediaandmarketing.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. For years as a still photographer, Deverill Weekes ("Mixes Well with Others" photography) has shot news, fashion and celebrity profiles. His photos have graced the covers and inside pages of international and national magazines. He can be contacted at deverill@earthlink.net. Bill Desowitz ("What Does a Wormhole Sound Like?") writes about film for his Immersed in Movies blog (www.billdesowitz. com) and is a regular contribu- tor to Thompson on Hollywood at Indiewire and Animation World Network. He can be contacted at bill.desowitz@yahoo.com. Walter Hess ("The Savagely Quiet One") is a retired documentary film editor. Films on which he collaborated have won numerous awards. For a very brief period, he served as co-business agent of Lo- cal 771. He now writes, and in 2010 published his first book of poems, Jew's Harp. Contact him at woolhan@aol.com. Chuck Montgomery, ACE ("Union Made"), is a retired picture edi- tor and lifetime member of the American Cinema Editors, with documentary, comedy, drama and action credits. He received an ACE Eddie Award for Best Edited Real- ity Series for Cops in 2008, and can be reached at editcops@gmail.com. David Maguire ("Tail Pop") is a colorist and online editor, as well as a member of the Academy of Television Arts and Sciences. He can be reached at post.online@ mac.com. Martin Scorsese ("Attuned to Images") is an award-winning filmmaker who has received eight Academy Award nominations for Best Achievement in Directing throughout his career, winning in 2006 for The Departed.