Issue link: http://digital.copcomm.com/i/2963
2 Post • August 2009 Weinstein Company's Inglourious Basterds, starring Brad Pitt, got its sound editorial and mix via CSS Studios' Soundelux and Todd-AO. Sound supervisor Wylie Stateman and re-record- ing mixer Mike Minkler discuss the process and working with director Quentin Tarantino, who they say gets involved with the sound process at the script level. Todd-AO's Minkler mixed the film on a Euphonix System 5, which allows for expand- ed connectivity between Pro Tools and Nuendo. For more on Audio for Films, please turn to page 36. O N O U R C O V E R 4 EDITOR'S LETTER Apple's newest Final Cut Studio & The Colbert Report discusses its Iraq shoot By Randi Altman 4 POST SCRIPT The next-generation post house By Marc Loftus 6 BITS & PIECES What's new in post 14 DIRECTOR'S CHAIR Ice Age 3: Carlos Saldanha & Michael Thurmeier By Iain Blair 18 EDIT THIS! The editors on Transformers: Revenge of the Fallen had their hands full By Randi Altman 44 HIGHER EDUCATION Real-world learning with real-world tools 45 PRODUCTS The latest in hardware & software 46 PEOPLE Keeping tabs of the industry's movers & shakers 48 REVIEW Zoom's H4n portable recording device By Mike Swittel Bits & Pieces 6 Director's Chair 14 DIGITAL DOMAIN/BURGER KING ICE AGE: DAWN OF THE DINOSAURS Education 44 SAVANNAH COLLEGE OF ART & DESIGN A U G U S T 2 0 0 9 • V O L . 2 4 N O . 8 This Month In • The digital magic behind the latest Harry Potter film. • Investigating the effects and stereo of G-Force. • A new fluid-simulation takes shape.