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PEOPLE www.postmagazine.com 36 POST NOV/DEC 2024 KIM CHRISTENSEN Cabin Editing Company recently welcomed Kim Christensen to the creative editorial studio as its new managing director for the Los Angeles office. She will work alongside founder Carr Schilling in Los Angeles and in tandem with the company's executive leadership teams in New York and Europe to continue growing the studio's profile globally. Christensen brings a diverse professional background across all areas of post production, including VFX, design and editorial. She joins Cabin follow- ing 12 years at a52, where she was executive producer. Previously, Christensen held a variety of leadership roles at companies that include Bug Editorial, Spotwelders and Public VFX. HILLARY KEW MARTELL Senior mixer/sound designer Hillary Kew Martell has returned to the audio post field for work with brands and advertisers, having recently joined the roster at Sound Goods in New York City. The appointment reunites Kew Martell with Sound Goods partner Weston Fonger, as the two worked together earlier at AudioEngine in New York. Kew Martell's career also includes stints at Nutmeg Post and Photomag. Her advertising showreel features audio mixing and sound design for brands that include Nike, Mercedes-Benz, Discover Card, Budweiser and Dunkin. Her work for Coca-Cola includes the mix and sound design for its Happiness Factory, which aired during the Super Bowl. ELLIE THWAITES Rascal has hired Ellie Thwaites as its new senior producer. The creative studio has locations in London and Stockholm, and specializes in color, VFX, sound design and music. Thwaites' career includes producing at The Mill, and, most recently, No.8. She has worked with production houses and agencies that include BBH, MAL, AMV, Ogilvy, S&S and Grey, contributing to projects for brands such as Huawei, IBM, Dairy Queen and Paramount+. In her new role, Thwaites will lead projects from initial pitch through to final delivery. BEN OWEN The Yard VFX has appointed Ben Owen studio man- ager of its new London office. Owen has more than 15 years of experience in the VFX industry, having worked at Framestore, MPC, Dneg and One of Us. He will work with The Yard's management team to ensure the London studio upholds the company's commitment to delivering world-class visual effects. ADIPAT VIRDI London's Cinesite, which provides VFX and anima- tion services, has appointed Adipat Virdi executive director, XR, overseeing the company's XR initiatives worldwide. He brings two decades of experience and a proven track record of working in XR and immersive technologies. Virdi's background is in experience design and immersive storytelling. He joins Cinesite from Facebook (Meta), where he was the global creative product lead for immersive, spearheading the emerging platforms team's exploration of VR/XR and immersive experiences. JESSICA BACLESSE In Los Angeles, creative editorial house Nomad re- cently welcomed editor Jessica Baclesse to its roster. She is known for her character-focused work featur- ing exciting montage sequences and emotionally-mo- tivated cuts in commercials and narrative films. Baclesse co-edited the Cannes Grand Prix- winning You Can't Stop Us spot for Nike, which also won Bronze for Film Craft, an AICP Award and an Emmy for Outstanding Commercial. Commercial credits also include ads for Toyota, Mercedes and Instagram. On the feature side, Baclesse co-edited Michael B. Jordan's Creed III and the Sydney Freeland film Rez Ball. DAVID KASSLER London's FC3, which is a partnership between Framestore and Company 3, recently named David Kassler CEO. FC3 provides beginning-to-end post production services for film, TV, advertising and immersive entertainment. Kassler comes from Tag, where he was global CEO of the global content production partner for brands. 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