LACMA

106 Ken Gonzales-Day At daylight the miserable man was carried to an oak, 2003 LightJet print on aluminum 35 x 45 in. Courtesy of the artist and Steve Turner Contemporary, Los Angeles p. 161 Ken Gonzales-Day Erased Lynchings series, 2004–6 Chromogenic prints mounted on card stock Each 3 3/4 x 6 in. Courtesy of the artist p. 163 Ken Gonzales-Day Golden Chain, 2006 Chromogenic print 60 x 78 in. Courtesy of the artist Ken Gonzales-Day Nightfall, 2006 Chromogenic print 60 x 75 in. Lent by Eileen Harris Norton, Santa Monica, California Ken Gonzales-Day St. James Park (mural), 2006 Digital print on vinyl 120 x 180 in. Courtesy of the artist and Steve Turner Contemporary, Los Angeles Danny Jauregui It Came from Below, from the series Stage Set for a Riot (or, Whatever Happened to Mt. Vesuvius?), 2006 Ash and graphite on panel 48 x 84 in. Courtesy of the artist and Acuna-Hansen Gallery, Los Angeles Danny Jauregui Untitled, from the series Stage Set for a Riot (or, Whatever Happened to Mt. Vesuvius?), 2006 Ash and graphite on paper 29 x 22 in. The Capital Group, Los Angeles p. 6 Danny Jauregui Untitled, from the series Stage Set for a Riot (or, Whatever Happened to Mt. Vesuvius?), 2006 Ash and graphite on paper 29 x 22 in. The Capital Group, Los Angeles Danny Jauregui Untitled, from the series Stage Set for a Riot (or, Whatever Happened to Mt. Vesuvius?), 2006 Ash and graphite on paper 29 x 22 in. Courtesy of the artist and Acuna-Hansen Gallery, Los Angeles Danny Jauregui Palm Frond with Its Throat Cut, 2007 Palm frond on painted wood plinth 48 x 48 in. Courtesy of the artist and Acuna-Hansen Gallery, Los Angeles p. 164 Danny Jauregui Untitled #2, 2007 Ash on canvas over board 36 x 48 in. Courtesy of the artist and Acuna-Hansen Gallery, Los Angeles p. 167 Nicola López New installation for Phantom Sightings, 2008 Courtesy of the artist and Caren Golden Fine Art, New York Los Jaichackers (Julio Morales and Eamon Ore-Giron) Migrant Dubs, 2008 Audio installation Courtesy of the John Berggruen Gallery, San Francisco Jim Mendiola and Rubén Ortiz-Torres The Truthful History of the Conquest of Nuevo Aztlán, 2007–8 Digital prints and text mounted on board Dimensions variable Courtesy of the artists Delilah Montoya Humane Borders Water Station, 2004 Digital print 14 1 /2 x 31 1 /2 in. Courtesy of the artist and Patricia Correia Gallery p. 80 Delilah Montoya Migrant Campsite, Ironwood, AZ, 2004 Digital print 14 1 /2 x 31 1 /2 in. Courtesy of the artist and Patricia Correia Gallery p. 172

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