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Phantom Sightings

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101 Juan Capistran The Breaks, 2000 Giclée print 40 x 40 in. Courtesy of the artist p. 124 Juan Capistran Black on Black, 2005 Lacquer on wood 72 x 12 x 30 in. Courtesy of the artist p. 127 Juan Capistran Brown and Down, 2005 Acrylic on linen over wood armature 24 x 70 x 27 in. Courtesy of the artist p. 19 Juan Capistran A Love Supreme, 2005 Acrylic on canvas 31 1 /2 x 31 1 /2 in. Courtesy of the artist p. 126 Juan Capistran White Minority, 2005 Acrylic and flocking on canvas 4 panels, each 90 x 19 1 /2 in.; overall: 96 x 81 in. Courtesy of the artist p. 34 Juan Capistran Do You Want New Wave, or Do You Want the Truth? from the series The Minutemen Project, 2007 Photocopies of found and altered images on paper 111 x 186 1 /2 in. Courtesy of the artist p. 70 Carolyn Castaño Tropical Baby (Carlos), 2006 Mixed media on canvas 32 x 40 in. Courtesy of the artist and Kontainer Gallery, Los Angeles Carolyn Castaño Tropical Baby (Imelda), 2006 Mixed media on canvas 48 x 60 in. Courtesy of the artist and Kontainer Gallery, Los Angeles Carolyn Castaño Tropical Baby (Self-Portrait), 2006 Mixed media on canvas 52 x 71 in. Courtesy of the artist and Kontainer Gallery, Los Angeles p. 51 Carolyn Castaño Tropical Baby (Violetta), 2006 Mixed media on canvas 48 x 60 in. Courtesy of the artist and Kontainer Gallery, Los Angeles p. 86 Carolyn Castaño Tropical Baby (Yandara), 2006 Mixed media on canvas 48 x 60 in. Courtesy of the artist and Kontainer Gallery, Los Angeles p. 129 Sandra de la Loza (The Pocho Research Society) New mixed-media project for Phantom Sightings, 2008 Courtesy of the artist Alejandro Diaz Breakfast Tacos at Tiffany's, 2003 Performance photo documentation Dimensions variable Courtesy of the artist p. 81 Alejandro Diaz Dichos (Sayings), 2004 Ink on cardboard Multiple panels; dimensions variable Courtesy of the artist Alejandro Diaz Miracle Cans, 2007 Digital prints on paper mounted on metal cans 4 cans; height: 54 in.; diam.: 30 in. Courtesy of the artist Adrian Esparza One and the Same, 2005 Serape, plastic trim, and nails 60 x 144 in. El Paso Museum of Art, purchased with funds provided by Robert U. and Mabel O. Lipscomb Foundation Endowment pp. 2–3

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