CAS Quarterly

Spring 2022

Issue link: http://digital.copcomm.com/i/1451070

Contents of this Issue

Navigation

Page 33 of 68

b y M i l l a r M o n t g o m e r y C A S A Production Sound Look at You've just gotten off an exciting phone call with a producer who is interested in having you out to mix their next show and the script has hit your inbox. After going through it, you realize that the show features a lot of the same actor playing multiple interacting roles. Where do you begin? There are multiple ways of handling "twinning" on set. I spoke with several production sound mixers to learn about their individual twinning workflows on some projects that are easily available to watch and review on the leading streaming platforms. It's important to remember that while the workflow varied from production to production, the goal remained the same: quality dialogue tracks and support of the director and cast in whatever way possible to get the best performance in a challenging scenario. b y M i l l a r M o n t g o m e r y C A S Twinning on Set

Articles in this issue

Archives of this issue

view archives of CAS Quarterly - Spring 2022