Issue link: http://digital.copcomm.com/i/1381679
design team felt that the Featherington family was nstantl n a missin t find aral itin sial standings. s a reslt teir rert as much more ostentatious, again balancing with the costumes to create a bold look. Considering the trends of the era, designer of the time, Thomas e rided m insiratin. mas e as a designer e elt ld ae atall een mmissined te eateringtns temseles. rm tis ame te etensie lasterr in te hallways and foyer, the collection of furniture in te dining and draing rm te firelaes and ilaster r trgt alng it te igl derated rnies in eer rm. ilst ling t te erid r insiratin as nt limited it finding man ideas n te deratin and te design te iee riniall in te draer. led a at s designers ad als taen a res ara t erid. Christian Dior's interior designers, Victor randierre and erge er as ell as te tgras eil eatn and te teatre designer lier essel. e rdtin red etensiel n latin arss te ntrat ristl iltn se and admintn se t name a e. rm as far north as Castle Howard in Yorkshire, used as the family seat of the Duke of Hastings, to the southern country house of Somerly, used as Somerset house for the gallery scenes. All of the locations had to be designed and dressed to define te eigtened astie regen rld that is Bridgerton. B. BRIDGERTON EXTERIOR FACADE WITH FULL DRESS FLOWERS AND FREESTANDING WISTERIA STRUCTURE. C. BRIDGERTON ENTRANCE HALL. CONCEPT ILLUSTRATION BY LEWIS PEAKE. B C