Issue link: http://digital.copcomm.com/i/1381679
the interior and exterior of the house. I was also assisted by the thoughtful work of Art Department researcher Leanne Macomber, who created a vast visual library which became an invaluable foundation for the ideation of the set. The interiors would be built on stage at Kaufman Astoria and the eterir at te etage istrial illage te fi rst r ld e ilt it isal e ets etending te er rs. e eilings ere raised rm the nine feet found in the existing house to twelve feet, columns added, and etched glass placed in the doors. Marina Parker found beautiful wallpapers for the library and hallway and we worked with the Graphic Artist Valeria Fox to develop the wall covering pattern for the parlor, which was silk- screened onto fabric at a mill in Rhode Island. Marina and I also chose and worked on the arrangement of the many paintings to be displayed in the parlor. The dominant style was the Hudson River School, which gave depth and luminosity to the room and was historically correct for the story. D. EVERGREENS INTERIOR SECTION CONCEPT DRAWING BY JEFFREY MCDONALD. E. EVERGREENS INTERIOR PARLOR PAINTING GALLERY. SET PHOTO. F. EVERGREEENS WALLPAPER TEST SAMPLE OF SILK SCREEN WITH PAINTING EXAMPLE. G. EVERGREENS INTERIOR. SET PHOTO. D E F G