Issue link: http://digital.copcomm.com/i/1381679
M A Y / J U N E 2 0 2 1 | P E R S P E C T I V E 1 1 7 discussed their work on Ma Rainey's Black Bottom. Production Designer Peter Francis and set decorator Cathy Featherstone spoke in some detail at te design te ats in te film The Father. Donald Graham Burt was on hand to discuss the design of Mank, as Pascale switched hats from host to guest as set decorator on the film. atan rle te rdtin Designer Tenet, was joined by set decorator Kathy Lucas, and Production Designer David Crank and set decorator Elizabeth Keegan talked about creating the Old West of News of the World. While the usual in-person setting of the Egyptian Theatre was missed, Walsh and Pascale made the online interface and discussion both relaxed and informative, and even with well over two hours of discussion, the conversations were engaging, illuminating the career paths, thought processes and r regimens sme te finest designers working today. lling te fie indiidal resentatins man of the participants answered questions from the online viewers, giving advice to those interested in rsing a design areer and ansering seifi estins at teir nminated films. rerding of the entire presentation is available on the merian inematee annel n e. THE DESIGN TEAM FROM MA RAINEY'S BLACK BOTTOM, PRODUCTION DESIGNER MARK RICKER AND SET DECORATORS DIANA STOUGHTON AND KAREN O'HARA, WITH PASCALE AND WALSH. PRODUCTION DESIGNER PETER FRANCIS AND SET DECORATOR CATHY FEATHERSTONE FROM THE FATHER.