Choosing to build such bold studio sets, creating
cohesive worlds that spanned from locations to the
set builds presented another challenge. The initial
location scouts were fantastic, with carte blanche
t isit eer ntr se tat ld ssil fit
into the preproduction time. This allowed the Art
Department to work out the important elements
needed in te stage sets tat ld reate a nified
move from studio to location, the obvious being
scale. All the properties visited were measured,
however, the returning concern was the height of
the rooms. Replicating this in the studio was key
for a seamless transition. Within set decoration,
Gina and the team concentrated not only on
hiring furniture and props from prop houses
and specialist dealers, but also building bespoke
A. BRIDGERTON DRAWING
ROOM. SET PHOTO.
B. DAPHNE'S BEDROOM.
MOOD BOARD.
C. DAPHNE'S BEDROOM.
SET PHOTO.
D. DAPHNE'S DRESSING
ROOM. SET PHOTO
E. BRIDGERTON DINING
ROOM. SET PHOTO.
F. FEATHERINGTON MOOD
BOARD.
G. FEATHERINGTON
DINING ROOM. SET
PHOTO.
H. FEATHERINGTON ENTRY
HALL. SET PHOTO.
E
F
G H
