Issue link: http://digital.copcomm.com/i/1353865
8 I M PS E . O R G MPSE CO N TR I BU TO RS Baylon Fonseca MPSE Thoughtful Design Sound for Moving Pictures: The Four Sound Areas with Neil Hillman MPSE Baylon is a supervising sound editor and sound designer. He is a two-time National Film Award winner from India and runs his own sound post outfi t, Talking Heads. He is a member of the MPSE Board of Directors. Eric Marks MPSE Blessings in Disguise for Fargo Season 4 Eric is the founder of Transported Audio, a post-production sound studio in Los Angeles. He has supervised projects for Netfl ix, Amazon Prime, Disney, EA, as well as countless trailers and commercials. He is a member of the MPSE Board of Directors, where his work has been nominated for fi ve Golden Reel Awards. Steve Lee, THSM From the Vault of The Hollywood Sound Museum After a 30-year career making sounds and voices for fi lms, including The Lion King, A Goofy Movie, The Nightmare Before Christmas, Apollo 13, and many others... Steve Lee, in his infi nite wisdom, decided to form a nonprofi t organization to create The Hollywood Sound Museum—just before a planet-wide pandemic hit. Please help the cause by visiting HollywoodSoundMuseum.org and making a donation. Korey Pereira MPSE Tech Corner/Making It as a Sound Editor Outside of Hollywood Korey is the founder of Soularity Sound, a post-production sound company based in Austin, Texas. He also works with Soundcrafter and other Austin-based crews. Editorial credits include works directed by Richard Linklater, Robert Rodriguez, and David Gordon Green among many others. Recently, he updated his studio to support Dolby Atmos mixing and has expanded into 360 spatial audio for VR. Since 2018, Korey has also been a lecturer at the University of Texas at Austin, Department of Radio, Television and Film, where he teaches post sound. He has been an active member of the MPSE since 2017. Miguel Araujo MPSE Exploring News of the World Miguel Araujo is a South African-Portuguese supervising sound editor, ADR mixer, and re- recording mixer living in Vancouver, Canada. He is an active member of the Academy of Television Arts & Sciences and serves as a director to the Board of both the Motion Picture Sound Editors and the Vancouver Post Alliance. Bernard Weiser MPSE EIPMA Column/Bridging the Gap Between Aspiring Professionals and Industry Experts EIPMA President Bernard Weiser, who is also Vice President of the Motion Picture Sound Editors, has been nominated for two Emmys, both as dialogue editor for HBO's Deadwood: The Movie and True Detective's "The Great War and Modern Memory." Vickie Sampson MPSE Dear Dialogue Detective After a successful and award-winning 40+ year career as a supervising sound editor with over 200 feature fi lm credits, Vickie Sampson uses her time for teaching, writing, directing, and playing with grandchildren and horses. She still edits sound for indie fi lmmakers and friends who need it. She has an Emmy, four Golden Reel Awards; has worked on Oscar-winning fi lms for sound and is a member of AMPAS, MPSE, and Alliance of Women Directors. Vsampson@aol.com Solange S. Schwalbe MPSE Cover Story/It's The Little Things That Count Solange is a 35-year veteran as a motion picture sound editor and Foley supervisor. She is both an Emmy and Golden Reel Award winner. She has her own post audio company, Dog House Post. She has been a member of the Board of Directors of the MPSE since 1991. You can reach her at doghousepost@yahoo.com