out the red drapes, and the amazingly talented
decorator Kelley Pearce found gorgeous blue ones.
The film couldn't have achieved any modicum
of success were it not for Kelley's keen eye for
period and style in her decorations, her taste and
resourcefulness.
The only place the DP Declan used colored light
was in this club. His use of blue light made the
curtains pop and the red walls were a wonderful
purplish contrast. This set was the second location
savings and the look wasn't compromised at all. It
was lush, smokey and romantic. Just like the jazz
filling the air.
The Orpheum Theatre was used as the Town
Hall. It was determined on the scout that the two
scenes could be shot out front, under the marquee.
C. BLUE MOROCCO
NIGHTCLUB. PRODUCTION
STILL.
D. BLUE MOROCCO
NIGHTCLUB ENTRANCE.
SET PHOTO.
E. BLUE MOROCCO
NIGHTCLUB INTERIOR. SET
PHOTO.
F. TOWN HALL EXTERIOR
SHOT AT THE ORPHEUM.
SET PHOTO.
G. TOWN HALL POSTER.
GRAPHIC LAYOUT.
C
D
E
F
G
