Issue link: http://digital.copcomm.com/i/1332040
called it out. 5-feet by 7-feet, 2-inches thick, with 3 12"-inch diameter custom made barrel hinges. Megan began the dissection and built a model. Construction reinforced the jamb with a 3-inch square tube steel frame. Fabricator Chris Walters created a fi xture, on which he anchored the assembly. The door opened easily. Then the kids could maneuver their escape. Hallways leading out of the bunker on stage required the same underground look and served as a transition to our downtown City Hall location. Robert reminded us of a ceiling he liked in a building we'd shot on The Faculty, way back in 1998. Editors have that kind of memory. We could easily replicate that cast concrete look, carving foam on the CNCs, to give the set a strong, repeating pattern. Steve designed an elegant lighting fi xture formed from 20-gauge sheet metal that integrated into the set with ease. The pre-rig crew showed their mettle once again. TRAM A fl ying tram. Our cast of kids escape their bunker classroom and climb aboard for a quick getaway. An open-sided 20-foot shipping container on site at the studio was a starting point for size. We walked Robert into the space. How did it feel "Shorter," he said. We went to seventeen feet. We scout downtown Austin for the Heroics H, interior and exterior, and look for a place to spot the tram. We all imagined it would park somewhere outside. However, once inside Austin's A B C

