Issue link: http://digital.copcomm.com/i/1316380
8 I M PS E . O R G Solange Schwalbe MPSE Sync Sound Solange is a 35-year veteran as a motion picture sound editor and Foley supervisor. She is both an Emmy and Golden Reel Award winner. She has her own post audio company, Dog House Post. She has been a member of the Board of Directors of the MPSE since 1991. You can reach her at doghousepost@ yahoo.com Eric Marks MPSE Riding the Waves of Commercials Eric is the founder of Transported Audio, a post production sound studio in Los Angeles. He has supervised projects for Netflix, Amazon Prime, Disney, EA, as well as countless trailers and commercials. He is a member of the MPSE Board of Directors, where his work has been nominated for five Golden Reel Awards. MPSE CO N TR I BU TO RS William Dannevik MPSE What's a Sync Block? Most of Bill's work experience is in editing and sound design for episodic television and features. He is a two- time Emmy Award winner and Golden Reel Award winner. Bill taught editing and sound post-production at the USC School of Cinematic Arts and the Savannah College of Art & Design. He served as a localization manager at Disney Character Voices International, supervising the creation of foreign language soundtracks for feature films, streaming, and episodic TV. Bill was a manager of mastering and distribution at Disney/ABC International TV until he retired in 2016. Bill has served on the Board of Directors of the MPSE since 2010 and also is a member of ATAS, IATSE 700 (Editors Guild). BA Northwestern University, Theatre/Film; MFA University of Southern California School of Cinematic Arts. Steve Urban MPSE Mix Presents Sound for Film & TV Steve was a young, scruffy nerf herder from the swamps just outside the Empire's capital city before finding his calling as a sonic manipulator of mass entertainment. His life's work is the positive enhance of existence across the galaxy through the retelling of legends and tall tales. He remains scruffy in his soul to this day. Steve Lee The Story of The Wilhelm Scream Steve Lee wonders to this day how he went from recording episodes of Disney's Wonderful World of Color off the TV onto audio cassette as a kid, to creating and wrangling sound effects for Aladdin, The Lion King, and A Goofy Movie as an "adult." Today, besides writing anecdotes every season here in the Wavelength quarterly about his 30-year career in movie sound, he hosts webinars and other virtual programming for the Hollywood Sound Museum, which he created. Please join at Patreon.com/ HollywoodSoundMuseum.