Issue link: http://digital.copcomm.com/i/1280987
Slating This might seem like the most straightforward aspect of your tape, but in actuality, there is no one-size-fits-all format for your slate. While it's true that all slates require at least your name and a full body shot, Liem points out that every slate, like every role, also calls for you to present yourself in a different way. "Let's say you audition for a commercial … and then you audition for a wartime drama. You are not going to have the same slate," said Liem. "What I love is when the slate gives me a flavor, a vibe, of what I'm about to see." It's also helpful to make your slate a separate recording from your audition, and when submitting for a role, be sure to include both the slate and audition videos. This is an especially good practice, as some casting directors, like Byrd, may use your slate for other purposes. "If my director needs to see a little more, like the actor's personality, and there's not enough time [to have them come back in], I use their slate [as additional audition material]," she said. The best way to ensure your slate has what the casting director is looking for is to read the submission instructions carefully, and if there are any details that need clarification, have your representative reach out on your behalf. Wardrobe & Props It may be tempting to dress in costume or use props to stand out from other submissions, however, the consensus among the casting directors is that your outfit should not distract from your audition. Wearing an elaborate costume does not improve your chances of being chosen, but if you decide to embody a character through your outfit, try to be subtle. "You can suggest the character [through clothes], shoes or a piece of jewelry," said Husar. For commercial auditions, using a stand-in prop can help display the specific gestures a role calls for. Schuster recommends that performers who often do commercials create a prop box for their items. "Remember, commercial advertising is about [viewers] quickly engaging with the actor on screen, and that's often with [the product on hand]," said Schuster. Just make sure to keep props nearby but out of frame when not in use. The Reader Casting directors and experienced self-tapers agree that actors make the best type of readers, but it's paramount to make sure they aren't a source of distraction in your audition tape, whether it be through their delivery or, more commonly, volume. "If you have a reader that is louder than you, obviously that's not ideal," said Kennedy. "The priority is for [casting directors] to hear you; you want to be the focus of everyone's attention." Make sure that you are positioned closest to the recording device and, if necessary, have your reader stand farther away to read. Of course, there may be times when an extenuating circumstance may leave you without a colleague. Casting directors stress that not having another actor around should not stop you from recording an audition. Ask a friend or roommate, family member or your significant other. "As long as you have somebody you can connect with, it's okay if they sound stiff or are not a pro," said Husar.