Issue link: http://digital.copcomm.com/i/1260764
J U L Y / A U G U S T 2 0 2 0 | P E R S P E C T I V E 1 1 years ago he was grateful to be given a second chance to continue his film career after taking years away in order to be around his newly born son. There has been a sudden burst of activity in this direction, and he is currently working on Netflix's Night Teeth. B A R R Y R O B I S O N graduated from the niversity of California at Los Angeles with a FA in theatre arts scenic and costume design. e began his career at the Guthrie Theatre and the Children's Theatre of inneapolis. is career continued in Chicago, working at the The Goodman Theatre and St. Nicolas Theatre. oving to New York he continued to design for theatre and opera companies around the S. e finally landed in the soap operas of the 's Another World, All My Children and One Life to Live). hile working the soaps he began to design small independent films and Afterschool Specials for AC. e relocated to ollywood in the 's to segue into films, where he has worked on such projects as October Sky, Hidalgo, Home Fries, Fun with Dick and Jane, Good Girls, Narnia, Hacksaw Ridge. e has also designed such diverse films as X-Men Origins, Wolverine, Nim's Island, Wedding Crashers, Bubble Boy and the currently running TNT series Snowpiercer. T O M W I L K I N S was raised in northern Ohio, but he completed his high school years in Southern California and then attended C.S.. Fullerton, graduating in with a A degree in theatre arts with an emphasis in scenic design. After working as a stagehand at notts erry Farm and Disneyland, he moved into the Art Department at Disney, working on event design while freelancing as a Set Designer for various stage shows. In he worked on his first movie, Near Dark, as a Set Designer. e continued to work on films, television and commercials as a Set Designer, moving up to the position of Art Director and Production Designer. is credits include such films as Go, Fargo, Men in Black II, Spider-Man 2, Snowpiercer and the live-action version of Mulan, as well as hundreds of commercials. J O H N K R E T S C H M E R finished his studies at NC Chapel ill at the time Dino DeLaurentis was building a movie studio in ilmington, NC, and ohn landed his first job as a set dresser on the feature film Marie. ithin weeks, ohn was working directly with cinematographer Chris enges, building custom practical lamps and fixtures. As leadman, retschmer worked on many iconic features, including The Abyss, The Crow and Twelve Monkeys. retschmer's design break came with a call to design the feature film Sex and the Other Man in New York. retschmer's feature credits include The Grave, Deceiver and The Strangers. In addition to Homeland, television credits include series Dawson's Creek, One Tree Hill, Army Wives and pilots Chicago Fire, Containment and Seal Team. D A V E L O W E R Y is a -year ADG veteran, storyboarding on nearly movies for an impressive array of ollywood's most celebrated directors. any of these films have earned Oscar, ADG, and F nominations and awards. Dave began his film career as isual Effects Art Director. e started his collaboration with on Favreau in on the Iron Man films. Dave then headed up teams to storyboard and create animatics for Favreau's The Jungle Book and The Lion King, and he currently leads the Storyboard Department on the Disney hit series The Mandalorian. J E R E M Y R E E D was born in the and raised in the bush in Zimbabwe as a child. e attended boarding school in England before a compulsory stint in the Zimbabwean military, in which he served as a paratrooper. A brief commitment to Yale niversity followed, where he discovered his love for architecture, an education he has been following informally ever since. is career has spanned designing some iconic music videos, commercials and feature films. Five C O N T R I B U T O R S

