Issue link: http://digital.copcomm.com/i/1241865
banners proclaiming German and American friendship. David imon didn't want any ai symbols used, instead I created the design using the Weimar German federal eagle as the focal point. Also displayed on easels are large posters of harles indbergh. The most prominent features a suited Lindbergh from a photo shoot with actor en ole. With this portrait, as well as other key photos in the series, the right fi ltering software is critical. I use several applications in conunction with hotoshop, all of which off er conversions into fi lm stocks used since the late nineteenth century n1 hoto AW, Exposure and oris Digital ilm Tools. or this proect, I found that DT off ered the best selection of fi lm stocks and print fi lters for this time period. In addition, there's a group of "ooks" fi lters in the application that are terrifi c for making uick stylied conversions. Much used was the classic ollywood studio portrait fi lter for the many photos of ouise wig, mother of hilip evin's best friend Earl Axman, that decorate her apartment. Applied to a well-lit image, it becomes easy to near the appearance of an 80-year-old George urrell photo. Another feature I took advantage of for the Lindbergh portrait is DFT's diff usion set. ne of these settings made it simple to convert plain photo backings into what look like painted textural backdrops from the era. Lindbergh's America My key tasks for the fi rst block were designing indbergh's campaign graphics, those at his introduction at the America irst ally in Madison C. BEER GARDEN GERMAN/ AMERICAN FRIENDSHIP BANNER. GRAPHIC LAYOUT DESIGN BY ERIC ROSENBERG. D. LINDBERGH POSTER. DESIGN BY ERIC ROSENBERG. PHOTO BY MICHELE K. SHORT. E. BEER GARDEN. SET PHOTO BY RICHARD HOOVER.. F. LOUISE SWIG CONCERT POSTER. DESIGN BY ERIC ROSENBERG. PHOTO BY MICHELE K. SHORT. C D E F