Issue link: http://digital.copcomm.com/i/1241865
In order to plan for set builds, the production provided all ten scripts at the beginning. One of the more challenging sets was the caves. The main challenge was that the cave set needed to be dry when the kids walk in, then become ooded so that the kids have to swim out. Two large caves were built. The main cave was built in a sixty-foot metal box that could be fi lled with water and have the actors swim through. The second cave was built on top of a pool so that the kids could swim up into the cave. The cave exterior was linked to a location in Nova Scotia called 'The Ovens' where the kids stand looking over the cliff s. Keyhouse Details Every storyline in the series radiates from Keyhouse in some way, so creating and placing the intricate details was critical and also a lot of fun. To retain an element of the comic book art, most of the wood trim, railings and ceiling details were custom made. Close inspection will reveal the L&K logo from the comic in the wood trim. A custom painting was also created so a key could be hidden within it. William Koon, the amazing scenic artist, created century-old walls by layering plaster up and down so that the walls had an undulating texture. The second- oor walls were covered in carpet, then plastered over to create a cracked plaster look. TYLER'S ROOM BODE'S ROOM NINA'S ROOM KINSLEY'S ROOM FOYER WINTER STUDY DRAWING ROOM GREAT ROOM KITCHEN SOLARIUM A B C