Issue link: http://digital.copcomm.com/i/1241865
8 0 P E R S P E C T I V E | M A Y / J U N E 2 0 2 0 RORY CHEYNE ASSORTED 1'-6" ROOF NOT BUILT ROOF NOT BUILT EXT. KEYHOUSE SIDE ELEVATION 5'-0" 6'-8 3/8" 5'-4 9/16" 11 1/2" 2'-9 1/8" 7'-9 3/8" 6'-2 3/4" 17'-10" 4'-0" 6'-6" 6'-6" 7'-0" 11'-0" 19'-2 3/4" 28'-2" 7'-0" 1'-11 1/4" 4'-0" 3'-6" 10'-4 1/2" 12'-2" 4'-0" 30'-0" 5'-6" 24'-6" 25'-0" 34'-8" 3'-0" 8'-0" 7'-0" 17'-9 1/2" 9" 14'-9 1/4" 1'-4 1/4" 16'-0" 3'-9 3/8" 6'-8 3/8" 11'-5" 1'-11" 8" 5'-0" 3'-0" 2'-6" 1'-0" 10 3/16" 7 11/16" 8'-0 1/8" 6'-8 3/8" 4 1/2" 2'-6" 1ST FLOOR 2ND FLOOR 16'-6" 16'-0" 12'-6" 21'-0" 12'-6" 2'-6" 13'-6" 4'-0" 8'-0" 8'-0" 7'-0" 10'-4 1/2" 17'-4 1/2" 3 3/4" 9 1/2" 3 3/4" 6'-0" 8'-0" 5'-4" 2'-6" 10'-9" 4'-2 3/4" 12'-6 1/4" 30'-0" 3'-4 1/2" 6'-8 1/8" 8'-0" 8'-6" 3'-9 3/8" 6'-8 3/8" 1'-0" 2'-6" 3'-6" 3'-0" 10'-9" 6" 1'-3" 2'-1 1/2" 4 1/4" 4'-2 3/4" 10'-9 1/4" 1'-9" 30'-0" 5'-4" 8'-0" 9'-2 5/8" 15'-6 3/4" 9'-2 5/8" 5'-0" 6'-8 3/8" 5'-4 9/16" 11 1/2" 2'-9 1/8" 17'-10" 4'-0" 6'-6" 6'-6" 7'-0" 11'-0" 19'-2 3/4" 28'-2" 7'-0" 1'-11 1/4" 4'-0" 3'-6" 10'-4 1/2" 12'-2" 4'-0" 30'-0" 5'-6" 24'-6" 25'-0" 1'-1 1/4" 16'-0" 6'-8 3/8" 11'-5" 1'-11" 8" 21'-0" 3'-9 3/8" 3'-3 3/8" 8'-8" 7'-10 3/4" 8'-0 1/4" SIDE ELEVATION WITH VERANDA Scale: 1/4" = 1'-0" 1 SIDE ELEVATION VERANDA NOT SHOWN Scale: 1/4" = 1'-0" 2 The third oor and roof of the exterior were added digitally, with visual eff ects. isual eff ects supervisor Wojciech Zielinski and I collaborated— the Art Department modeled the upper section of the house and handed it off as a 3D asset to the team so they could texture and blend it into the rest of the exterior house. Out-buildings were also built on the site—the wellhouse and garden shed, an apple orchard was planted, as were numerous shrubs and a small vegetable garden. I was looking to future episodes and seasons, as there would be more to discover on the Locke estate later on. The cemetery was also built on the site. Once I found a good memory tree, I decided to locate the cemetery gate and all the headstones around it. Shooting and Lighting Considerations All Keyhouse interiors—the main oor, second oor and basement, were built from scratch on soundstages in Toronto. My fi rst challenge was fi guring out how to create a four-story mansion in a studio lacking the height required. When starting to design a main studio set that would be used over and over throughout the season, my fi rst thoughts were around how the director of photography would light it—especially when there would be limited space for the lights outside the windows. One can design and build a lovely looking set, but if it can't be lit, or if the camera can't be perfectly placed, the set may not photograph the way it was intended. Linking the two sets was also critical to allow seamless transitions from exterior to interior. Building in porches, upper balconies and inner foyer vestibules that matched on the exterior build and the studio build helped connect the location build and studio sets. The design also had to connect the fi rst oor, second oor and the basement, which were all built on stages in diff erent studios. A. KEYHOUSE EXTERIOR. ELEVATIONS. A D. FREMLIN AS NOTED AS NOTED 010 2.2 MULTIPLE 385 11TH CONCESSION RD.