Issue link: http://digital.copcomm.com/i/1241865
I came up with these touch points that would co-exist lack umor, uxtopose ealities, oss of Identity, Dark ysche, op Aesthetics Dirtied, ormal heekiness, with a ashionable iend in a olor oir World of omplete haos. an it be ETT and DIT at the same time? an there be IE and IME M fighting for attention? AE WE EIG A ADET A TE AATE AE A? I was assured by the studio that the Gotham of a related film that would be released before ours was not going in the same direction I had in mind Joker, with great atmospheric work by Mark riedberg. We were on our own to play in our dead-end dirty- pretty streets. Balance Fantasy with Skewed Reality When two of the most prominent locations are based on fantasy to begin with, a nightclub and a funhouse, how do you balance these with more grounded sets that show the street level grit of the city? The key is seeing the city through arley's eyes. I approached everything through her dity glity analytical yet throwaway approach to absorbing the world. Grab it if it shines, amuse and abuse then discard. It's her experience and she plows right through everything while having as much fun as she can with a ilted heart. he is our avatar, she is A B A. BLACK MASK CLUB. ILLUSTRATION BY JOE STUDZINSKI. B. BLACK MASK CLUB. SET PHOTO. C. BLACK MASK CLUB. CARYATID IN PROGRESS. C