CAS Quarterly

Winter 2020

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ct Award Nominees Outstanding Product Nominees Post Production FabFilter Pro-Q 3 The FabFilter Pro-Q 3 is a 24-band dynamic equalizer that enables minor tweaks and extreme frequency sculpting. It has an analog-like Natural Phase mode and a digital-precise Linear Phase mode. In addition to a myriad of filter shapes, it provides Mid-Side and Left-Right process- ing modes, Dolby Atmos support, and an Auto Gain mode—all with an attractive, innovative interface. iZotope Dialogue Match iZotope's Dialogue Match leverages all-new reverb, ambience, and EQ match- ing tech to apply the sonic attributes of one recording directly onto another, giv- ing your scenes environmental and spatial continuity with just three clicks. Dialogue Match provides a new way to approach dialogue editing and matching. Leapwing DynOne Known for its ultra-subtle and transparent sounding crossover filters, Leapwing's DynOne al- lows users to blend compressed filter bands with the original signal. This unique design makes it possible to shape and tonalize your sound without squashing the dynamics. DynOne 3 is the latest version with adjustable crossover frequencies, resizable UI and unique Center-Side mode, giving the user extreme flexibility in multiband dynamics processing. Sound Radix Auto-Align Post Auto-Align Post is an AAX AudioSuite plugin for Avid Pro Tools, de- signed to automatically correct the delay and comb filter phase issues occurring when mixing a recording of multiple moving microphones. The scenario is typical on a production shoot that utilizes a shotgun and a lavaliere (or lavalieres). Building on the proprietary technology of their groundbreaking Auto-Align™ plugin, Sound Radix developed a next-generation algorithm that makes phase/time correction of a moving multi-microphone recording of an entire film a matter of a few clicks. Todd-AO Absentia DX 2.2.3 The Todd-AO Absentia DX 2.2.3 Productivity and Noise Reduction Tool has proven itself as a go-to utility for clean-up. The Hum Remover is considered best in class by a number of mixers. Its Air Tone Generator is changing how M&E's are built and how ADR is filled. The EMI has the extraordinary ability to reduce electromagnetic noises like anima- tronics and the Phase Synchronizer syncs Lavs to a Boom prior to editing. iZotope Dialogue Match iZotope's Dialogue Match leverages all-new reverb, ambience, and EQ match- ing tech to apply the sonic attributes of one recording directly onto another, giv- C A S Q U A R T E R L Y W I N T E R 2 0 2 0 51

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