Issue link: http://digital.copcomm.com/i/1197255
6 W I N T E R 2 0 2 0 C A S Q U A R T E R L Y OFFICERS President: Karol Urban CAS MPSE Vice President: Phillip Palmer CAS Treasurer: Steven Venezia CAS Secretary: Frank Morrone CAS BOARD OF DIRECTORS OFFICE MANAGER Carol Thomas EDITOR IN CHIEF Matt Foglia CAS PUBLISHER IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 QUESTIONS OR COMMENTS: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org ADVERTISING: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com As we forge into a new year, let's take a moment to look back. In the Fall 2014 Quarterly, we looked back at 50 years of the CAS and how technology evolved over that period. In the Fall 2018 issue, we looked back at 25 years of the CAS Awards. In this issue, CAS historian James A. Corbett CAS MPSE, along with Aletha Rodgers CAS, take us back to the origins of the Cinema Audio Society itself, which started to evolve 55 years ago under the vision of Bob Hoyt. See how our internationally recognized and highly respected organization came to be. Of course, looking back allows one to appreciate how they've evolved over the years and, this year, the CAS celebrates and honors the career of re-recording mixer Tom Fleischman CAS, who will receive the CAS Career Achievement Award at the CAS Awards on January 25. Read about Tom in his one-on-one interview with our President, Karol Urban CAS MPSE. Along the lines of acknowledging those who inspire us, the CAS is pleased to announce that writer, director, and producer James Mangold will receive the CAS Filmmaker Award! Also in this issue, Devendra Cleary CAS, with assistance from Danny Maurer, looks into the always scary FOMO (fear of missing out) relative to production sound equipment purchases. Checking in from France, Sam Cohen CAS shares his experiences recording production for a project featuring multiple languages spoken at the same time. James Ridgley CAS looks into how genre affects our sound choices, CAS Associate Patrick Spain provides some tips for matching ADR, and G. John Garrett CAS highlights some gear that caught his eye at AES. Finally, CAS Associate Brandon Loulias looks back on the iconic and innovative production sound mixer Jim Alexander. As always, be sure to read about the happenings of your fellow members in the "Been There Done That" and "The Lighter Side" sections. The CAS Quarterly is produced as a service to our members and relies on their voluntary nature. We greatly appreciate, and want, your feedback and suggestions—so send them in! If you're interested in contributing or have an idea for an article, let us know (Associate and Student members, this means you, too!). Email us at CASQuarterly@CinemaAudioSociety.org. Remember, our sponsors are professionals like you who understand the business and the needs of our industry. We encourage your commitment to them. Finally, don't forget to cast your vote for the CAS Awards. F R O M T H E E D I T O R Matt Foglia CAS Amanda Beggs CAS Onnalee Blank CAS Bob Bronow CAS MPSE Willie D. Burton CAS Peter J. Devlin CAS Mary H. Ellis CAS Tom Fleischman CAS Marti Humphrey CAS Doc Kane CAS Sherry Klein CAS Michael Minkler CAS Lee Orloff CAS Stephen Tibbo CAS Mathew Waters CAS Jeffrey Wexler CAS ©2020 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission.