Issue link: http://digital.copcomm.com/i/1189512
She wore one wig by Peter Owen and I used basic styling to tell these story points. I have a shorthand connection with Vivian and we don't have to say too much to each other in specifi cs but we dovetail in our vision beautifully. I gave it a weighted cut so I could create movement and shape at the face in either direction. I did a quick bleach cap and shampoo toner. It had arrived natural but it needed to be more forced. I wanted icy- white. I gave it a subtle root for depth. Her intro look is quite sweet. We upped her game with her promotion as Kayla makes more of an effort with straight blowouts or use of a curling wand. For the makeover look, I used two packs of tape-ins for "sandwich" application. This gave an exaggerated "Barbie doll" effect, one that could be used for an on-camera personality at FOX. I made sure to not cut them or blend them so they were more obvious. We continued with the use of some wefts for a period after the makeover while Kayla functions in her position at FOX. I think one could mistake the beauty of Margot with the look of Kayla ... in fact; this character look is quite far from Margot herself. Telling this story was powerful and I was convicted to making sure that it felt real and it served the story. It takes a village and here we certainly had some of the very best artisans. It was tough as the schedule was tight and being a perfectionist can be tricky with timing but we all had the same goal, delivering the best. Sometimes the stars align and for this I am grateful. •