CAS Quarterly

Fall 2019

Issue link:

Contents of this Issue


Page 10 of 87

C A S Q U A R T E R L Y F A L L 2 0 1 9 11 David Bondelevitch CAS MPSE is a re-recording mixer and educator who has won two Emmy Awards. He has also won two MPSE Golden Reel Awards and has been nominated 22 times. He is Past President of the Motion Picture Sound Editors. David was the Secretary of the Cinema Audio Society from 2012-2019 and served on the Board of Directors from 2003-2019. He has been writing for the CAS Quarterly magazine since 2006 and was co-editor in 2007. His most recent projects include mixing the documentary Empty Net, about the US Paralympics sled hockey team that aired on NBC Sports. He also mixed the documentary Southwest of Salem, which recently won a Peabody Award. He also mixed the cult comedy Jimmy Vestvood: Amerikan Hero, starring Persian-American comedian Maz Jobrani. David is also an assistant professor at CU Denver. David received his MFA in Cinema Production from USC. He also holds a Bachelor of Music in Jazz Composition from the Berklee College of Music in Boston. Matt Foglia CAS is a two-time CAS Award- winning, Emmy- nominated re-recording mixer and educator based in Nashville. Starting his career in NYC, Matt was a sound engineer for Sony Music Studios before taking the post of Chief Audio Engineer for PostWorks New York in 2001. Matt has mixed hundreds of hours of programming for networks such as Comedy Central, Discovery, ESPN, HBO, MTV, PBS, truTV, and VH1 and for artists, including Bruce Springsteen, Paul McCartney, Ozzy Osbourne, My Morning Jacket, and Phish. Matt left NYC in 2008 after accepting a faculty position at Middle Tennessee State University where he is a tenured professor teaching undergraduate and graduate courses relating to sound for picture. Matt has been the co-editor of the CAS Quarterly since the fall 2007 issue. Matt loves spending time with his wife and two teenagers, playing guitar and discussing the nuances of the Beatles, Kiss, and Billy Joel. Matt continues to mix and edit remotely for clients. C O L L A B O R A T O R S David Bondelevitch CAS MPSE Devendra Cleary CAS is a Los Angeles-based production sound mixer who has just completed Season 1 of Mayans M.C. for FX and is currently working on Schooled for ABC. He is an Executive Board member for I.A.T.S.E. Local 695 and a frequent contributor to the CAS Quarterly. He joined the CAS as an Associate member in 1999 and became a full member in 2008. who has just completed Season 1 of re-recording mixer and educator based Peter Kelsey CAS started his career in sound at the illustrious independent recording studio Trident Studios, where all the early Elton John and David Bowie albums were recorded. Here, Peter learned from engineers and producers such as Rupert Hine, Ken Scott, Roy Thomas Baker, Robin Geoffrey Cable, and David Hentschel. He was a second engineer on the Carly Simon album No Secrets, and part of the mixing team for Elton John's album Goodbye Yellow Brick Road. After moving to the USA, he did a lot of work as a scoring mixer before moving into post-production sound. He has worked on many David Kelley shows, including Ally McBeal and Boston Legal, for both of which he won sound mixing Emmys. He worked for RH Factor for many years and for the last three years, has worked for Smart Post Sound. He is currently working on Speechless, The Chi, Arrested Development, and Dead to Me. Peter has a degree in mathematics, a black belt in taekwondo, and loves public speaking. recording studio Trident Studios, where all the Patrick Spain began his career in the scoring world at Signet Sound in 2001 working on varied films like Cars and Eternal Sunshine of the Spotless Mind. In 2006, he was hired at the venerable Ocean Way Recording (now renamed United Recording), this time working on everything from Dr. Dre productions to John Mayer records to the score for Avatar. In 2011, Patrick was hired as a mix tech at the industry leading Todd- AO Lantana stages in Santa Monica. His very first day there was an FX playback of a single reel of Avengers for director Joss Whedon on the same stage where Saving Private Ryan was mixed! It was in this incredible environment where Patrick learned the ropes of film and television audio post from some of the best re-recording mixers, editors, and sound supervisors in the world. He worked on shows as different as the run-and-gun feature Lone Survivor to HBO's Girls to the music centric hit Nashville. After the closing of Todd-AO, Patrick worked a quick stint at Technicolor Sound Services, and then made the jump to freelancing as a re-recording mixer full time. In that time, Patrick has mixed for clients such as Netflix, Disney, WB, ABC, and DreamWorks. G. John Garrett CAS is a production sound mixer living in Boston, MA. He began mixing live music around 1970 and learned acoustics, signal flow, and recording technology along the way. He began in the industry booming for Boulder mixer Garrett Collenberger and moved into mixing documentaries, commercials, and feature films after moving to Boston in 1984. He then expanded his RF training by working with broadcast engineers and now also consults with a broadcast tech company in the area.

Articles in this issue

Archives of this issue

view archives of CAS Quarterly - Fall 2019