Issue link: http://digital.copcomm.com/i/1124770
5 Q2 2019 / CINEMONTAGE CONTRIBUTORS Wm. Stetz (""Pimp My Bay" + photography) is an award- winning director, photographer and designer. He is currently working on a documentary about the "trash rock" music scene in southern Germany. He can be reached at bill@wmstetz.com. Martin Cohen's (Cover Photo) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Mel Lambert ("When They Hear Us") is intimately involved with production industries on both sides of the Atlantic. He is a 30- year member of the UK's National Union of Journalists and can be reached at mel.lambert@content- creators.com. Debra Kaufman ("What Price Innocence?") has been writing about film/TV technology and business for 25 years for publica- tions including The Hollywood Reporter, Variety and Wired. She also authors the MobilizedTV. com blog. Reach her at dkla99@ verizon.net. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. A.J. Catoline ("A Saturday of Solidarity") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail.com. Génesis Henriquez ("La Vida Fa- miliar") is an LA-based assistant editor from Brooklyn, New York. She's currently working as as- sistant to Amy Duddleston, ACE, on the upcoming Amazon series The Hunt. Contact her at gene. henriquez@gmail.com. Aric Lewis ("Union Made") is an editor currently working as a visual effects editor on the Netflix series Raising Dion. He lives in Long Beach, California with his wife and daughter and can be reached at aclewis@gmail.com. Chris Culler ("Tail Pop") is a retired story analyst and writer, and is currently at work on her fourth novel, Who We Become. Her romantic satire Giving Good Hollywood, set in the milieu of studio readers, was listed as a Kirkus Reviews' "Best of Indies 2011." She can be contacted at cac291@gmail.com. Scott Sebring ("A Saturday of Solidarity" photography) is a photographer and multimedia artist living in Southern Califor- nia. He loves his wife, creating music and other forms of art...in that order. He can be reached at scott@scottsebring.com.