Issue link: http://digital.copcomm.com/i/1081203
4 CINEMONTAGE / Q1 2019 CONTRIBUTORS Wm. Stetz ("Oscar's Digital Effects Master" photography) is an award-winning director, photographer and designer. He is currently working on a documen- tary about the "trash rock" music scene in southern Germany. He can be reached at bill@wmstetz.com. Martin Cohen's ("Witch Doctors" photography) photographs have been published internation- ally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@documentarydiva.com. Joseph Herman ("The Sundance Kids") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@legendmultimedia.com. Christopher Fragapane (Cover Photo) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the enter- tainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Mel Lambert ("Witch Doctors") is intimately involved with produc- tion industries on both sides of the Atlantic. He is a 30-year mem- ber of the UK's National Union of Journalists and can be reached at mel.lambert@content-creators.com. Laura Almo ("Oscar's Digital Effects Master") is a writer and documentary filmmaker. She teaches video editing at El Cami- no College in Torrance, California, and is a contributing editor at Documentary magazine. Contact her at lauraalmo@mac.com. Debra Kaufman ("Duck Dy- nasty") has been writing about film/TV technology and business for 25 years for publications including The Hollywood Reporter, Variety and Wired. She also au- thors the MobilizedTV.com blog. Reach her at dkla99@verizon.net. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Lauren Damaskinos ("The Sundance Kids" photography) is a commercial and editorial photographer based in New York City. She has photographed many famous faces, such as Tom Hanks, Jackie Chan, Tyler Perry and Whoopi Goldberg, and can be reached at photography@laurendamaskinos.com. Scott George ("The Importance of Enforcement") is the Editors Guild's Western Executive Director. Contact him at sgeorge@editorsguild.com. Paul Moore ("The Importance of Enforcement") is the Editors Guild's Eastern Executive Director. Contact him at pmoore@editorsguild.com. Christopher Kroll ("Union Made") is a picture editor who has cut feature-length dramas, comedies and action films, as well as half- hour single-camera comedy and music videos. He is currently edit- ing American Housewife for ABC and can be reached at chriskroll5000@gmail.com. Jack Tucker, ACE ("Tail Pop"), is a film editor with 54 years of experi- ence. He is known for his work on The Winds of War and Shogun. He currently teaches film editing at Cal State University Long Beach and can be reached at mrjcaesar@ aol.com.