Issue link: http://digital.copcomm.com/i/1061972
8 CINEMONTAGE / Q4 2018 CONTRIBUTORS Wm. Stetz (Cover Photo) is an award-winning director, photographer and designer. He is currently working on a documen- tary about the "trash rock" music scene in southern Germany. He can be reached at bill@wmstetz.com. Martin Cohen's ("Wild Was The Wind" photography) photographs have been published internation- ally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("Inheritors of The Wind") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Com- ment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz ("Lee Dichter: Meticulous Mixer, Maestro, Magi- cian, Mensch" photography) is a New York-based photographer and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www.sarahshatz.com. Christopher Fragapane ("Inheri- tors of The Wind" photography) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the entertainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Mel Lambert ("A Spoonful of Sonics") is intimately involved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists and can be reached at mel.lambert@ content-creators.com. Laura Almo ("Talking Beale Street ") is a writer and documen- tary filmmaker. She teaches video editing at El Camino College in Torrance, California, and is a contributing editor at Documen- tary magazine. Contact her at lauraalmo@mac.com. Debra Kaufman ("A Justice for All") has been writing about film/ TV technology and business for 25 years for publications includ- ing The Hollywood Reporter, Va- riety and Wired. She also authors the MobilizedTV.com blog. Reach her at dkla99@verizon.net. Michael Goldman ("Way Down Below the Ocean…"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a contributor to American Cinematographer and many other publications. Reach him at michael.goldman@me.com. Lauren Damaskinos ("Talk- ing Beale Street " photography) is a commercial and editorial photographer based in New York City. She has photographed many famous faces, such as Tom Hanks, Jackie Chan, Tyler Perry and Whoopi Goldberg, and can be reached at photography@laurendamaskinos.com. Troy Takaki, ACE ("Tail Pop"), is an editor with almost three decades of experience. He works in both features and television. Contact him at troytakaki@mac.com. Kim S. Ketelsen ("Union Made") is a story analyst and recovering screenwriter. He's done develop- ment work on many films for Hol- lywood Pictures and Disney. He now lives and covers screenplays in Iowa, where he also wrote and co-produced a Super Bowl TV spot in 2012. Reach him at ksketelsen@gmail.com.