Issue link: http://digital.copcomm.com/i/1061165
G sense of her family's vast history, but not feel like a museum—a curated mix of antiques and Transitional Luxe. Decorator Amy Wells achieved the perfect mix. I wanted the colors to be pushed a bit, to almost shimmer. Adora is a toxic person, and her poisonous nature would be reflected in her space. Unbelievably, the green color on her walls is from Farrow and Ball and is called "Arsenic." It was obviously the perfect choice. Bedrooms – The Pecking Order Adora has tried and failed to codify her daughters, and I wanted that to come through visually in their rooms. Marian's room, who died as a child, has become a sort of museum, kept exactly as it was when she died, down to the eerie hospital bed. She was basically supposed to be a China doll for her mother and her room reflects that. It's arrested like it's in amber. Camille's room feels a bit neglected, with outdated wallpaper and cracked paint on the ceiling. But it has a high school '70s Bohemian vibe, with some personal touches left around. I wanted to show that Camille had created her own space in that house before she fled. I could see Adora, offended that she escaped, just shutting the door and leaving it be. And then there's Amma, Wind Gap's resident wild child. I wanted it to feel more connected to the rest of the house than Camille and Marian's rooms. It's a little hot and excessive and very Pottery Barn. I wanted to push that pink color because it's a nod to what Amma is really like when her mom isn't around. Also it reflects the garishness that Adora in present day is embracing—it has an over-the-top quality to it, an overcompensation. F H G I J G. CENTRAL HALLWAY OF THE INTERIOR SET FOR THE PREAKER HOUSE. H. THE BEDROOM OF MARIAN, THE DAUGHTER WHO DIED AS A CHILD. SET PHOTO. I. CAMILLE'S CHILDHOOD BEDROOM. SET PHOTO. J. THE BEDROOM OF AMMA, THE YOUNGEST SISTER. SET PHOTO.