Issue link: http://digital.copcomm.com/i/1061165
4 P E R S P E C T I V E | J A N U A R Y / F E B R U A R Y 2 0 1 9 WHO'S TALKING IN THIS ISSUE James Merifield, Production Designer of MARY QUEEN OF SCOTS – page 108 What struck me about the script on first reading was that that these two women, although miles apart in the geographical and the political sense were, in many ways, mirrors of each other. John Paino, Production Designer of SHARP OBJECTS – page 90 Faded and crumbling, they seemed to not only be frozen in time, but the subject matter—perfectly quaffed women enjoying life's luxuries—encapsulated exactly many themes and symbols of the show. Mark Friedberg, Production Designer of IF BEALE STREET COULD TALK – page 115 There it was, James Baldwin, 1972 and New York City. Three of my favorite things. Christian Scheurer, Key Concept Artist on THE NUTCRACKER AND THE FOUR REALMS – page 123 We wanted the character to be impressive and highly kinetic without being too creepy— after all, we were working for a very mouse-loving company. Steve Saklad, Production Designer of THE FRONT RUNNER – page 75 I swear that ninety percent of the shoot took place in offices that came in three flavors, ugly, uglier or ugliest.