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www.postmagazine.com 40 POST OCTOBER 2018 PEOPLE DAVE HOLLINGSWORTH Port Melbourne, Australia's Blue Post has appoint- ed Dave Hollingsworth director of post production. He spent 14 years working overseas with directors such as Peter Jackson, Guillermo Del Toro and Steven Spielberg, before returning to Australia. The company will draw on Hollingsworth's 25 years of experience as an executive level post and VFX man- ager, as well as his expertise as a supervising colorist for his new role, where he will be responsible for the development and deployment of all technical and creative services provided by Blue Post. CARTER PAGEL Carter Pagel, a former lead creative for AT&T's AA consumer segment advertising agency, has been tapped by Castleview Productions to fill its creative director position in Austin, TX. In his 20-year career, Pagel has written multiple Super Bowl ads, received national and internation- al recognition from organizations, such as the Cannes Advertising Festival, helmed a number of cross-platform campaigns for brands such as DirecTV and State Farm, and directed video content for AT&T. As part of Castleview Productions, Pagel will help the company expand its client base and position as a leading video production agency. LAUREN DELLARA Santa Monica, CA's Rock Paper Scissors has promoted editor Lauren Dellara to the roster for commercial representation in the US. Dellara is the latest in a long line of editors who began their ca- reer as an assistant under the mentorship of Angus Wall and Rock Paper Scissors. Dellara has quick- ly built an impressive client base, with her most recent commercial project being Nike's viral Dream Crazy — the collabora- tive anthem celebrating the 30th Anniversary of the "Just Do It" campaign. Other projects include Nike Basketball's Chosen One, with director Hiro Murai, and The North Face, Calvin Klein, additional work for Nike, Netflix and Sza's Broken Clocks music video. MARSHALL KRASSER Visual effects studio FuseFX has appointed Marshall Krasser VFX supervisor at its Vancouver office. Krasser brings more than two decades of experience in the visual effects industry, having worked on high-profile feature films, television shows and commercials. Krasser's previous expe- rience includes roles with CoSA VFX, Psyop and Industrial Light & Magic. His film credits include: The Great Gatsby, Iron Man 2, Avatar, Star Trek, War of the Worlds, Star Wars: Episode II — Attack of the Clones, Harry Potter and the Sorcerer's Stone, Titanic and Forrest Gump. TV credits include: Lucifer, Prison Break, The Walking Dead, Zoo, The X-Files and The Man in the High Castle. BRET HARRIS Denver's creative studio Legwork, which applies animation and technology to create memorable sto- ries and experiences for advertising, entertainment and education, recently hired Bret Harris to lead business development. Harris is an entrepreneur and business development strategist with nearly two decades spent in high growth tech startups, having worked with some of the nation's largest athletic governing bodies and Fortune 500 companies. At Legwork, Harris will focus on proactively finding and developing new business opportunities while providing feedback and guidance on the company's overall growth strategy. FRED KELLER Senior colorist and veteran post production artist Fred Keller, who had been a mainstay of the color scene in Chicago for the past dozen years, has re- turned to New York to help build the color depart- ment at production digital studio Click 3x. Keller had been senior colorist at Filmworkers Club in Chicago. He started his career in New York at color studio Manhattan Transfer, which later became Company 3. There he graded commercials and worked on longer-form projects, including music videos, fea- tures and TV series such as Sex and The City and HBO's The Wire. He recently completed spots for such brands as McDonald's, State Farm, Coors, Walmart and Capital One. ALTON International creative animation/design studio Lobo, which recently expanded its New York City office, has added the Brazilian directing duo Alton to its roster. Based in Sao Paulo, the duo is comprised of (L-R) Tiago Marcondes and Felipe Machado, and specializes in stop-motion, 3D, motion graphics and mixed media. Alton, with more than two decades of design and character animation experience, brings a unique skill set of design and character animation from a diverse body of creative projects. Machado started working in animation and motion design immediately after graduating from Faculdade Belas Artes in 2002. Marcondes brings over a decade of com- munications business expertise to the duo. ANDREW BELL Global visual effects company Method Studios has promoted Andrew Bell to the new role of managing director, integrated advertising and immersive expe- riences, Los Angeles. He'll oversee operations, pro- duction, talent, sales and marketing. In this role Bell brings together all of the LA studio's VFX, finishing and design capabilities to create integrated solu- tions for brands, ad agencies and production companies. He also leads its AR/ VR group, Method EXP, creating immersive experiences for clients worldwide. Previously, Bell spent two decades at MPC and was also managing director for Brickyard VFX in Boston. POST MAGAZINE (ISSN 0891-5628) is published monthly by Post,LLC, a COP Communications company, 620 West Elk Avenue, Glendale, California 91204. 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