Issue link: http://digital.copcomm.com/i/1014407
4 CINEMONTAGE / Q3 2018 CONTRIBUTORS Martin Cohen's (Cover Photo) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohen photography@gmail.com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. For years as a still photographer, Deverill Weekes ("West Coast Retirees Luncheon" photography) has shot news, fashion and celebrity profiles. His photos have graced the covers and inside pages of inter- national and national magazines. He can be contacted at deverill@ earthlink.net. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Christopher Fragapane ("Ameri- can Soundtrack Story" photog- raphy) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the enter- tainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Mel Lambert ("American Soundtrack Story") is intimately involved with production indus- tries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists and can be reached at mel.lambert@ content-creators.com. Debra Kaufman ("The Eyes and Ears of Reality TV") has been writing about film/TV technology and business for 25 years for pub- lications including The Hollywood Reporter, Variety and Wired. She also authors the MobilizedTV. com blog. Reach her at dkla99@ verizon.net. Michael Goldman ("Space Farce"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a con- tributor to American Cinematog- rapher and many other publica- tions. michael.goldman@me.com. Steve Hullfish ("Even Direc- tors Get the Urge to Edit") is the author of six books on post-pro- duction, including his latest, Art of the Cut: Conversations with Film and TV Editors. He can be reached at steve@hullfish.com. Daniel R. Esparza ("Union Made"), also known as "Steely," is a Los Angeles-based assistant editor. He has worked on the television shows Curb Your Enthu- siasm, Entourage and How I Met Your Mother, and can be reached at steely61@msn.com. Mark Cappelletty ("Tail Pop") is a story analyst based in Los Angeles. He has worked for com- panies including Lionsgate, MGM, New Line Cinema, Paramount Pictures and Constantin Film. Contrary to popular belief, he has actually liked some of the mate- rial he's read. Contact him at markcapp@mac.com. Rob Callahan ("Getting Orga- nized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@editorsguild. com.