ADG Perspective

September-October 2018

Issue link: http://digital.copcomm.com/i/1010570

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C E D R I C G I B B O N S | P E R S P E C T I V E 6 9 G F D. THE FINAL COMPOSITED SHOT OF THE CENTRAL PLAZA IN THE CITY OF OZ. THE STAGE SET ENDS 10 FEET ABOVE THE PERFORMERS HEADS AND THE REMAINDER OF THE IMAGERY IS CONTAINED WITHIN THE MATTE PAINTING AND THE ADDED ANIMATION. E. CEDRIC GIBBONS AND UNIT ART DIRECTOR WILLIAM A. HORNING LOOKING OVER A WHITE MODEL FOR A PALACE SET FOR MARIE ANTOINETTE (MGM 1938). F. THE WIZARD OF OZ IN PRODUCTION ON THE MGM STAGES. G. ROMEO AND JULIET (MGM 1936), AN ART DECO RENDITION OF FAIR VERONA, CEDRIC GIBBONS, SUPERVISING ART DIRECTOR, AND FREDRIC HOPE, UNIT ART DIRECTOR. H. THE BROADWAY MELODY (MGM 1936), THIS RARE COLOR PRODUCTION STILL SHOT IN 1935 USING KODAK'S BRAND NEW KODACHROME COLOR FILM. I. A PHOTO OF CEDRIC GIBBONS' 11 ACADEMY AWARDS SURROUNDING A BRONZE STATUE HE CREATED OF HIS FIRST WIFE, ARTIST GWENDOLYN WELLER. H I

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