S E P T E M B E R / O C T O B E R 2 0 1 8 | P E R S P E C T I V E 1
WHO'S TALKING IN THIS ISSUE
Anastasia Masaro, Production Designer of TULLY – page 44
I am also a bit of a Peeping Tom—I go for walks at night and look into people's homes
who have their lights on and their curtains open and take notes to record details I want to
remember.
Curt Beech, Production Designer of BLACKKKLANSMAN – page 85
When you present the idea, the reaction is immediate and irreversible. He rarely
changes his mind, and you won't get a second chance to make your case.
PRODUCTION DESIGNER
NELSON COATES WITH THE
TYERSALL TIGER ON THE SET OF
CRAZY RICH ASIANS.
Crazy…In Love with Singapore! –
page 77
PRODUCTION DESIGNER
SHEPHERD FRANKEL (LEFT)
DISCUSSING A SCENE AT THE
QUANTUM COMMUNICATOR
WITH DIRECTOR PEYTON REED IN
THE LABORATORY SET FOR ANT-
MAN AND THE WASP.
Ant-Man and the Wasp – page 32
